My trajectory is so true, they float away and I don't move...
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| Sleeve Front: Tribal kids |
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| Vinyl - Side A: Label repeats sleeve image |
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| Sleeve - Back: Western kids |
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| Vinyl - Side A: Label repeats sleeve image |
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| Insert - Crooked Head: Dog eat dog / Dogs fighting over a bone. This together with the other images can be (mis) interpreted as a comparison and contrast of western global culture with indigenous tribal cultures. |
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| Insert - I Hate Summer: Continuing the 'two heads' theme... |
Stats:
General:
Tracks: Crooked Head B/W I Hate Summer
Released: 2008
Label: Matador Records OLE 837-7
Matrix A: OLE 837-7-A GOLDEN
Matrix B: OLE 837-7-B GOLDEN
Pressing Info:
First pressing 2500 on August 11, 2008
Second pressing 500 on January 23, 2009
Inserts: Regular insert as pictured above
Variants: No variants
LFG Post April 16 2008:
Crooked Sombrero
CrOoKed hEad
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| Colour cover: Fake or rejected sleeve showing (Amazonian?) tribal people. |
Extract From Record Release Announcement - LFG Post (September 28 2008)
...Say, but haven't all the last records we've released been "total bullshit"? Like Year of the Dog, and Year of the Pig, and all those YOTP 7"'s and shit, and Toronto FC, and David Christmas, and all that stuff? Well yeah, but this one is different! The ASIDE is from the new ALBUM, but its an EDIT, which means its a bit different, but not in any sort of way that cost us any more money to make in the studio, and then the BSIDE is this killer little tune that isn't on ANY OTHER RECORD OUT THERE, and is about how Damian hates summer because, well you can read the LYRICS! They are INCLUDED on the INSERT, which is a little piece of paper stuck into the 7" sleeve that has the lyrics on it, as well as the LINER NOTES. THE SONG IS REALLY SHORT, its like less than 2 and a half minutes long, and its PRETTY FAST and SORT OF SOUNDS LIKE THE UNDERTONES because we use that drum beat we used on TEENAGE PROBLEMS and NEAT PARTS and maybe one other song in our discography. Anyhow, this 7" is 100% NOT BULLSHIT except for the fact that the aside is already on the album, but not really, as I was just talking about, but its got its own ARTWORK, and the bside art looks a little like the album cover because its got the sun in there and everything, and I can tell you now that we're gonna make a bunch more 7"'s that have the sun on the cover, so you might want to start COLLECTING them ALL so that if you ever want to make that VIDEO I was talking about WAY before, you won't be missing the CROOKED HEAD 7", which is now for sale over at MATADOR RECORDS and pretty much no other websites I could really find on google.
Review By Norman Records:
Good stuff really and you've got to admire the picture of two dogs ripping each others' faces off on the insert.
Crooked Head (Cropped From Wikipedia)
Spoiler: They don't collect records
The Pirahã people are an indigenous hunter-gatherer tribe of Amazon natives. As of 2010, they number 420 individuals. The Pirahã people do not call themselves Pirahã but instead the Hi'aiti'ihi, roughly translated as "the straight ones".
The Pirahã speak the Pirahã language. They call any other language “Crooked head.”
As far as the Pirahã have related to researchers, their culture is concerned solely with matters that fall within direct personal experience, and thus there is no history beyond living memory.
Daniel Everett states that one of the strongest Pirahã values is no coercion; you simply don't tell other people what to do. There appears to be no social hierarchy; the Pirahã have no formal leaders. Their social system can thus be labelled as primitive communism, in common with many other hunter-gatherer bands in the world, although rare in the Amazon because of a history of agriculture before Western contact (see history of the Amazon).
Their culture is remarkably economical. For example, they use canoes every day for fishing and for crossing the river that they live beside. However, when their canoes wear out, they simply use pieces of bark as temporary canoes. Everett brought in a master builder who taught and supervised the Pirahã in making a canoe, so that they could make their own. But when they needed another canoe, they said that "Pirahã do not make canoes" and told Everett he should buy them a canoe. The Piraha rely on neighboring tribes' canoe work, and use those canoes for themselves.
Pirahã build simple huts where they keep a few pots, pans, knives, and machetes. They make only scraping implements (for making arrowheads), loosely woven palm-leaf bags, bows, and arrows. They take naps of 15 minutes to, at the most, two hours throughout the day and night, and rarely sleep through the night.
They often go hungry, not for want of food, but from a desire to be tigisái (hard). They do not store food in any quantity, but generally eat it when they get it. Pirahã have ignored lessons in preserving meats by salting or smoking.They cultivate manioc plants that grow from spit-out seeds and make only a few days' worth of manioc flour at a time.They trade Brazil nuts and sex for consumables or tools, e.g. machetes, gunpowder, powdered milk, sugar, whiskey. Chastity is not a cultural value. They trade Brazil nuts, wood, and sorva (rubbery sap used in chewing gum) for soda-can pull-tabs, which are used for necklaces. Men wear T-shirts and shorts that they get from traders; women sew their own plain cotton dresses.
Their decoration is mostly necklaces, used primarily to ward off spirits. The concept of drawing is alien to them and when asked to draw a person, animal, tree, or river, the result is simple lines. However, on seeing a novelty such as an airplane, a child may make a model of it, which may be soon discarded.
According to Everett, the Pirahã have no concept of a supreme spirit or god, and they lost interest in Jesus when they discovered that Everett had never seen him. They require evidence based on personal experience for every claim made. However, they do believe in spirits that can sometimes take on the shape of things in the environment. These spirits can be jaguars, trees, or other visible, tangible things including people.Everett reported one incident where the Pirahã said that “Xigagaí, one of the beings that lives above the clouds, was standing on a beach yelling at us, telling us that he would kill us if we go into the jungle.” Everett and his daughter could see nothing and yet the Pirahã insisted that Xigagaí was still on the beach.
Their culture is remarkably economical. For example, they use canoes every day for fishing and for crossing the river that they live beside. However, when their canoes wear out, they simply use pieces of bark as temporary canoes. Everett brought in a master builder who taught and supervised the Pirahã in making a canoe, so that they could make their own. But when they needed another canoe, they said that "Pirahã do not make canoes" and told Everett he should buy them a canoe. The Piraha rely on neighboring tribes' canoe work, and use those canoes for themselves.
Pirahã build simple huts where they keep a few pots, pans, knives, and machetes. They make only scraping implements (for making arrowheads), loosely woven palm-leaf bags, bows, and arrows. They take naps of 15 minutes to, at the most, two hours throughout the day and night, and rarely sleep through the night.
They often go hungry, not for want of food, but from a desire to be tigisái (hard). They do not store food in any quantity, but generally eat it when they get it. Pirahã have ignored lessons in preserving meats by salting or smoking.They cultivate manioc plants that grow from spit-out seeds and make only a few days' worth of manioc flour at a time.They trade Brazil nuts and sex for consumables or tools, e.g. machetes, gunpowder, powdered milk, sugar, whiskey. Chastity is not a cultural value. They trade Brazil nuts, wood, and sorva (rubbery sap used in chewing gum) for soda-can pull-tabs, which are used for necklaces. Men wear T-shirts and shorts that they get from traders; women sew their own plain cotton dresses.
Their decoration is mostly necklaces, used primarily to ward off spirits. The concept of drawing is alien to them and when asked to draw a person, animal, tree, or river, the result is simple lines. However, on seeing a novelty such as an airplane, a child may make a model of it, which may be soon discarded.
According to Everett, the Pirahã have no concept of a supreme spirit or god, and they lost interest in Jesus when they discovered that Everett had never seen him. They require evidence based on personal experience for every claim made. However, they do believe in spirits that can sometimes take on the shape of things in the environment. These spirits can be jaguars, trees, or other visible, tangible things including people.Everett reported one incident where the Pirahã said that “Xigagaí, one of the beings that lives above the clouds, was standing on a beach yelling at us, telling us that he would kill us if we go into the jungle.” Everett and his daughter could see nothing and yet the Pirahã insisted that Xigagaí was still on the beach.
Commodity Fetishism:
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| Test Pressing on RHS (probably) |
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| Test Pressing on LHS |
